Head of Minerva
1896
Vedder was a talented and interesting Symbolist painter with strong Pre-Raphaelite influences, yet he was also, I think, a bit generic. Still, there is a sort of excellence in his genercism, as he often seems to approach novelty, in theme or style, though never quite reaching it. I would write more about Vedder, but, frankly, his life, as far as I know it, was not filled with many noteworthy moments, outside of mentioning that he was also a poet (honestly, not a very good one). But, while Vedder may have had an uneventful life and produced somewhat generic art, there is a quality that transcends the plain in his works, and makes him an artist of worth–and perhaps it is that which I find so interesting about him.
The Questioner of the Sphinx
1863
Japanese Still-Life
1879
Fisherman and Mermaid
1888-1889
Roman Model Posing
1881
The Last Man
1891
The Cup of Death
1885
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