Automat
1927
100 posts! Wow, am I tired. To be frank, I thought many times of just writing a sweet fare-thee-well and quietly forgetting about this blog; but here I am 100 days–100 sequential days–later still posting away. And, as an aside, isn't it strange what magical powers a number has? 100 is nothing but one more than 99 and one less than 101, but both those figures are nearly meaningless when it comes to counting posts: why is a 100 a celebration?
As for this post, besides being my 100th, it is the first in which I've featured an artist for a second time. And who more fitting to re-feature than Edward Hopper, the headliner of my very first post? He's my favorite 20th century painter, whose works often treat light with a unique harshness that creates a sense of anxiety or even distress in the most placid scenes. I should mention, if you're in NYC, the Whitney Museum has Hopper's works on exhibition until April 10th (more information here). The Whitney supported Hopper while he was alive, even helping him through the Great Depression, so take a moment, if you can, to visit and patronize the Whitney.
Self-Portrait
1903
The Lee Shore
1941
Barn and Silo, Vermont
1927
The Barber Shop
1931
House at Dusk
1935
Gas
1940
Morning in a City
1944
The Long Leg
1935
Cape Cod Afternoon
1936
Night Windows
1928
Sheridan Theater
1937
People in the Sun
1960
Adam's House
1928
Chop Suey
1929
Summer Evening
1947
Nighthawks
1942
Le Bistro or The Wine Shop
1909
Two Comedians
1965
Self-Portrait
1925-1930
Hopper is amazing.
ReplyDeleteAndressa, he certainly is. One of my favorites from childhood till now.
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